Representing David: a brief introduction to Florentine Renaissance Sculpture from Donatello to Michelangelo

About this course

Using sculptures by Donatello, Verrocchio and Michelangelo as case studies, the course traces changing approaches to depicting David in Renaissance Florence. It considers bronze casting and marble carving, the influence of antiquity, and how sculptures operated in civic, domestic and religious settings. Sessions combine lectures, slide presentations, activities and group discussions. Close analysis explores how viewpoint, architectural context and the placement of works affected their meaning, including changes in display associated with Florence’s political and religious life. The course also considers the later legacy of these sculptures.

What you'll learn

• Describe symbolism associated with David in Renaissance Florence
• Explain how viewpoint influences the making and experience of sculpture
• Identify antique sources informing Renaissance sculptures of David
• Discuss how a sculpture’s location affects its significance

Is this course right for you?

The course is suitable for learners at all levels and does not identify a required background in art history. Participants should be able to follow written and verbal instructions, demonstrations, handouts and health and safety information, and take part in group discussion.

• Combines taught presentations with activities and group discussion
• Requires participation in shared discussion as well as listening and observation

Before you go

• A notebook may be useful for taking notes.
• Books from any reading list may be purchased if desired.