Study day: Pictorialism, early art photography

About this course

This study day traces Pictorialism from the origins of photography through its emergence as an art movement. It considers Julia Margaret Cameron, the rise of camera clubs and the response to photography’s commercialisation, alongside the movement’s social and artistic context. The later part focuses on Pictorialism in the United States and Japan, with particular attention to Alfred Stieglitz and Edward Steichen. Teaching combines lectures, PowerPoint slides, discussion and activities involving the interpretation of photographic artworks. Technical processes are introduced only briefly, as the emphasis is art historical rather than practical photography.

What you'll learn

• Interpret a photograph as an artwork rather than solely as a record of visual fact
• Identify key characteristics, artists and visual elements associated with Pictorialism
• Discuss the historical and social factors that shaped the development of art photography
• Describe aspects of Pictorialism’s international development, including its presence in the United States and Japan

Is this course right for you?

The course is intended for learners interested in photography and art history. Although labelled Advanced, the source states that absolute beginners and those with existing art historical or photographic knowledge are suitable. Participation includes group discussion and activities interpreting photographic artworks.

• The focus is art history and visual interpretation, not technical photography
• Learners with advanced knowledge of photographic processes are welcome, but technical detail is limited
• Participants should be able to follow written and verbal instructions and take part in group discussion

Before you go

• A pen and notebook may be useful for taking notes.
• Learners present on the day receive printed hand-outs for further study.