Women Artists from 1960 to the Present

About this course

The course examines why women’s art became contested within late-20th-century art history, beginning with feminist debates and Linda Nochlin’s influential essay. It considers the approaches of artists including Marie Yates, Margaret Harrison, Mary Kelly, Helen Chadwick, Mona Hatoum and Jo Spence, before exploring intersections between feminist, Black and queer art through artists such as Sonia Boyce, Lubaina Himid and Maud Sulter. Teaching combines PowerPoint presentations, videos, student research, group activities, discussions and debates. Homework is set for sharing in class, with regular tutor feedback supporting the course work.

What you'll learn

• Explain why women’s art became a contested area of art history in the late 20th century
• Identify central issues, debates and themes in feminist art and art history
• Recognise key feminist artists and significant works
• Discuss intersections between feminist, Black and queer art
• Apply some principles of visual analysis

Is this course right for you?

The course is listed as suitable for all levels and has no specific entry requirements. Participation includes student research, group activities, discussions and debates, alongside homework to share in class.

• No specific entry requirements are stated
• Includes group discussion and debate
• Some homework is set for sharing in class

Before you go

• Paper and a pen are helpful for making notes
• Some homework is set to be shared in class